Leonardo Espinosa

Daughters

Self-portrait

White Dreaming

Detail of "Untitled"

Detail of "Untitled" (2013), Tara Donovan at the Museum of Fine Arts, Boston.

Detail of "Impenetrable"

Detail of Mona Hartoum's installation "Impenetrable" (2009). Steel and nylon monofilament, 118 1/8 × 118 1/8 × 118 1/8 inches (300 × 300 × 300 cm), edition 3/3. Installation view: Lasting Images, Solomon R. Guggenheim Museum, New York, October 14, 2013–January 12, 2014.

A Daughter's Portrait

Zakim Bridge

Leonard Zakim bridge in Boston

Wrinkle

Stop Making Sense

"I used to be a Kantian and, within limits, I expected intelligibility from the world. Then I converted and switched to Bataille, where things are not easily reduced to sense. At one point, Bataille says, "Stop making sense!" Making sense is a production consisting in a willful and will to power kind of takeover of the world. I don't expect things to make sense anymore. ..." -Avital Ronell

Winter Souls

Wall

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Canopies

Untitled

Untitled

Disembarking (3 of 3)

Breath-Taken

Peachy Mood

Untitled

Untitled

Jannis Kounellis, Untitled, 1997.

Detail of Jannis Kounellis' Untitled, 1997. Steel beam with two leather shoes. Part of the exhibit "What's a body?: Five Ideas" and "Figuring Expressionism" on show at the Boston MFA. [Photo, (c) Leonardo Espinosa, 2016.]

Karen LaMonte, Maiko, 2011.

Detail of Karen LaMonte's, Maiko, 2011. On view at the Boston MFA. [The piece is in a single ice color. Photo (c) Leonardo Espinosa, 2016.]